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Author Topic: Volvo C30 designer has Quebec roots  (Read 1376 times)
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MKII
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« on: October 05, 2006, 12:24:40 pm »

TORONTO (October 2, 2006) – The exterior of the highly anticipated 2007 Volvo C30 coupe, which made its public debut September 28 at the Paris Mondial de l’Automobile, was the responsibility of Canadian Simon Lamarre.
Born in a suburb of Montreal in 1968, Lamarre studied Pure and Applied Science at College Jean-de-Brebeuf and Environmental Design at Université du Quebéc. He joined Volvo in March, 1995 as a clay modeler just as the company was beginning to adopt computers as an essential design tool. He’s fluent in French, English and Swedish and has a “working knowledge” of Italian, Spanish and German.
As a Studio Chief Designer for Volvo Car Corporation, Lamarre first entered the automotive design spotlight with his role in the interior design of the company’s successful XC90 sport utility vehicle. The launch of the XC90 in 2002 extended the Volvo vehicle line-up to a new segment and represented one of the largest passenger vehicles in company history.
This time, Lamarre has taken Volvo Cars in the other direction: to the premium compact segment. The four-passenger C30 is a full 22 cm shorter than the five-passenger Volvo S40 sedan.
“I definitely enjoy working on something that isn’t mainstream,” says Lamarre. “But the C30 was extra fun because it was stepping away from what people would normally perceive as a Volvo.”
Lamarre explains that Volvo Cars has typically been a family-focused company with vehicles designed to accommodate both parents and children. The C30, on the other hand, is designed to appeal to the single crowd or couples. He says this new direction not only created excitement and high expectations for the car within the company, it also fed his enthusiasm for the project.
“I wanted to create something that’s different, but would still be perceived as a Volvo,” he recalls. He says it was a mandate that required a delicate touch and adds it’s a reason why he feels the automobile represents the ultimate design challenge. “Designing a car is all about finding a balance between many different aspects,” he says. “You have to consider manufacturing capabilities, it has to look good, be useful and be economically viable. On top of that, you have government regulations to consider.”
But the biggest challenge to automotive designers is how people interpret their work. “You can quantify engineering, but you can’t quantify design,” he says. “To me, good design makes a statement without screaming at you. So I try to keep my design work simple with simple shapes, no excessive folds in the sheet metal and no ornamentation.”
Indeed, Lamarre’s views on design mesh well with Volvo Cars’ Scandinavian-influenced form-follows-function design philosophy. With his North American perspective, Lamarre feels he was at an advantage while learning that philosophy. “When I moved to Sweden, I had to learn Scandinavian design and values. That led me to view them with a different eye without taking anything for granted.”
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MKII
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« Reply #1 on: October 05, 2006, 06:06:53 pm »

Simon has started a blog page which is quite interesting, getting insight on car designs
 http://c30designerblog.blogspot.com/

It’s my first attempt at a blog. Never really done anything like this before, but -- Wow! -- I’m in the middle of one of those experiences of a lifetime, and I want to share it. So here goes…

I’ve just come from the big Paris motor show. Maybe the most important design work of my career (so far) has just been shown to the world. It’s the Volvo C30. I don’t have to explain it to car people out there. For anyone else, it’s a new small car from Volvo. Officially, it’s a two-door car with a glass hatch back. But to me it’s way, way more than that. I’m responsible for its design.

For four years, I’ve been eating, sleeping and breathing this car. It’s consumed all my time at work, plus too many sleepless nights and spare moments that I should’ve devoted to something else. But design is one of those things that doesn’t respect the clock. It’s in your head all the time, gnawing at you, poking you, making you second-guess yourself and generally making you nuts. You rocket back and forth between being miserable and being elated (and sometimes both).

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